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Press Kit
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Download a .pdf version. 552 Riverside Drive, #5E New York, New York 10027 joellewallach@hotmail.com (212) 662-6134 www.joellewallach.com Music for Dance, Theater and Opera | Recent Selected Commissions and Performances | Grants, Honors and Awards Memberships and Offices In Professional Societies | Artist Residencies and Retreats | Publishers & Labels Education Doctor of Musical Arts: Composition. Manhattan School of Music. Ancillary fields in theory, piano and voice Digital Music Certificate – Massachusetts Institute of Technology Master of Arts : Musical Composition. Graduate Faculties, Columbia University Bachelor of Arts: Musical Composition. Sarah Lawrence College Principal Teachers: John Corigliano, Manhattan School of MusicTeaching, Public Lectures, and Academic Experience The New York Philharmonic, (1990-1992, 2005-present) Preparing and presenting pre-concert lectures to build audience attendance and donor support The 92nd Street YMHA, School of Music, (2006-present) Developing, inaugurating and delivering new programming linking music to the history of ideasNational Parks Service, Acadia National Park, Artist in Residence (2006) created and conducted public workshops Fulbright Senior Specialists Program, Council for the International Exchange of Scholars, (2002-2006) The Frick Collection, (2005) Invented, wrote and delivered lecture linking visiting exhibits with in-house concerts Bursting Out of the Box, creativity consulting (2002- ) Empire State College, S.U.N.Y., Preceptor and Evaluations Consultant l995-97, 1980-l984 Billings [Montana] Symphony, Composer in Residence, educational outreach programs 1994-5 Hudson Valley Philharmonic, Composer in Residence, educational outreach programs 1985, 1987 Lincoln Center Institute, Teaching Artist, designing/implementing new curricula 1990 Fordham University, Assistant. Professor of Music:: Music History, Jazz, Musical Concepts l981-83 Manhattan School of Music, Doctoral Teaching Fellow: music theory, sight-singing, dictation l980-l982 Hunter College, C.U.N.Y., Center for Lifelong Learning. "Patterns of Contemporary Culture" l978-79 Orchestral Positions and Residencies Composer-in-Residence, Gold Coast Chamber Players, (San Francisco, CA) 2003-2005 Piccolo Spoleto Festival/ Charles Ives Center for American Music/ Charleston (SC) Symphony 2002 San Jose Symphony, Guest Composer 1998 San Jose Chamber Orchestra, Guest Composer 1999, 1998 Wayne Chamber Orchestra, Guest Composer 1998-2000 Harvestworks, PASS digital/electronic studio, Composer Digital Programming Fellow 1995 Billings [Montana] Symphony, Composer-in-Residence 1994-5 Lake Placid Symphonietta, Composer-in-Residence 1992 National Orchestral Association, Fellow 1990-1991 New York Philharmonic Orchestra, Pre-concert Lecturer 1990-91 Hudson Valley Philharmonic, Composer-in-Residence 1985, 1987 Music for Dance, Theater and Opera Ballet: Glancing Below, Carlisle Project, Hartford Ballet, Guild of Musicians for Dance and the Juilliard Dance Theater Chamber opera: The King's Twelve Moons the Purple Circle Opera Company, New York City, CitiCorp Center Improvisation for the Martha Graham, Merce Cunningham, Paul Taylor Dance Companies, Sarah Lawrence College, Bessie Schonberg, Meredith Monk, Yuriko, Donald McKayle, Ruth Currier etc. Recent Selected Commissions and Performances The Clothes of Heaven for 40 unaccompanied voices, Manhattan Choral Ensemble commission 2006 In a Dark Time, for horn and piano, International Women's Brass Conference commission 2005-6 Therefore, for a cappella chamber choir, New York Virtuosi, New York City 2005 Beyond the Shadow of the Rain, meditations on a Shang Dong folksong, for violin, viola and cello, commissioned by the Jade String Trio 2003, Shanghai and New York City, 2004 After Alcyon's Dream for clarinet, viola and piano, commissioned by the Halcyon Trio 2003 The Tiger's Tail. an orchestral overture Spoleto Festival and Charles Ives Festival of American Music 2002A Revisitation of Myth for piano, viola and medium voice "Cutting Edge Concerts" NYC April 4, 2002 and Donnell Library Series 2002 Why the Caged Bird Sings for treble voices, horn, piano or strings, Plymouth Music Series [VocalEssence] Philip Brunell, Music Director 2002 Sextet for woodwind quintet and piano, American Chamber Ensemble 2001 String Quartet #3 commissioned by the Arizona Friends of Chamber Music for the Muir Quartet, 1999-2001 From the Almanac of Last Things for piano and medium voice, commissioned by Paul Sperry for the Joy In Singing's Millennial Concert 2001 Glancing Below, a ballet for eight players: Showcase Presentation of the Juilliard Dance Theater 1999Loveletter (postmark San Jose), for euphonium and strings, commissioned by the San Jose Chamber orchestra 1999 Toward a Time of Renewal for large chorus, four solo voices and symphony orchestra. commissioned by The New York Choral Society, 1994, Carnegie Hall, NYC; Columbia University April 25, 1998 String Quartet (1995) La Musica Festival, Sarasota FL 1996 La musica, los muertos y las estrellas for a cappella SATB Plymouth Music Series, Walker Arts Center, Minneapolis 1994Shadow, Sighs and Songs of Longing for cello and orchestra, Billings [Montana] Symphony, 1994 Where Angels May Lie Down Among Us Boston Chamber Ensemble, Cambridge, MA 1994;From the Forest of Chimneys, an octet for clarinet, bassoon, horn and strings. Commissioned and premiered by The New York Philharmonic Ensembles, opening subscription concert 1992 Sweet Briar Elegies for soprano saxophone and cello ensemble. Commissioned and premiered by Le Festival Internationale des Violoncelles, Paris and Beauvais [France], May 1993 Three Short Sacred Anthems for unaccompanied treble voice, Union Theological Seminary Symposium and Film: Beauty and Liturgy 1993 The Wreath of Silver Birds, a suite for unaccompanied piccolo, The Art Institute of Chicago, in conjunction with their Magritte Exhibit 1993 "Epistolary," from Daughters of Silence New York Festival of Song, Weill Hall, NYC 1992 The King's Twelve Moons a chamber opera, Magic Circle Opera Repertory Ensemble at the CitiCorp Center, New York City 1992 Three Whitman Songs for voice, clarinet, French horn and bassoon. American Chamber Ensemble 1992 String Quartet (1986) Charles Ives Center for American Music 1991 Grants, Honors and Awards Drisha Institute, Artist Fellow 2007-2008 Manhattan Choral Ensemble First Prize, for The Clothes of Heaven for 40 unaccompanied voices 2006 New York Virtuoso Singers Choral Composition Competition for Therefore 2005 First Prize, First Annual Jezick Ensemble Prize for treble choir for Why the Caged Bird Sings 2004 International Alliance for Women in Music, Miriam Gideon Prize for A Revisitation of Myth 2003 Waging Peace for Toward a Time of Renewal for orchestra and chorus 2002 Arizona Friends of Chamber Music String Quartet Competition Commission 1999 (String Quartet #3) Women's Philharmonic Orchestral Reading Fellow 1998 In Memory the Heart Still Sings Artist Fund Fellowship New York Foundation for the Arts, 1998 First Prize New England Chamber Orchestra Competition 1994 for Where Angels May Lie Down Among Us Tyrone Guthrie Fellowship 1994 First Prize International Eisteddfod Competition 1992 for La musica, los muertos y las estrellas Chamber Composition Grant A.C.T.S. Foundation 1992 First Prize New Music for Young Ensembles, 1991 for Woodwind Quintet, O llama de amor viva First Prize Amadeus Choir, 1991, (Toronto) for Three Short Sacred Anthems and The Oxen Carol Orchestral Reading Fellowship National Orchestral Association, 1990-91 The Tiger's Tail First Prize First Universalist Church New Music Competition 1989 for Three Spanish Songs Delius Foundation Grand Prize and Chamber Music Award 1988 for Organal Voices The Church and the Artist (Archdiocese of Seattle) l987 for Orison of Ste Theresa Ludwig Vogelstein Foundation Fellowship 1986 Artists Fellowship [Inaugural Year] New Jersey State Council on the Arts (in recognition of "Outstanding Artist Merit" and "Achievement as an Artist") 1984-1985 First Prize Baroque Choral Guild l984 for Five American Echoes First Prize Delta Omicron Competition l984 for Forewords First Prize Chamber Symphony of Princeton l984 for Turbulence, Stillness and Saltation First Prize New Music for Young Ensembles l984 for Of Honey and Of Vinegar First Prizes National League of American Pen Women 1988, l986, l987, l985, l983, l982 First Prize Inter-American Music Awards, Sigma Alpha Iota 1980 for On the Beach At Night Alone Memberships and Offices In Professional Societies Joy in Singing, Board of Directors 2004- 2007 Council for the In'tl Exchange of Scholars:.U.S. Studies review committee, Fulbright Senior Specialists Program 2002- Society of Composers, Inc, Executive Committee 1984-1993; Submissions Coordinator 1986-1993; Editor, "Newsletter", American Composers Alliance 1974-1998 (Nominating Committee 1989, 1987, 1985) American Music Center, BMI (Broadcast Music Incorporated) Artist Residencies and Retreats Virginia Center for the Creative Arts 1985, 1986, 1988, 1990, 1991, 1993, 1995, 1997, 1999, 2001, 2002, 2005, 2007 The Centrum Foundation 2003 The Eastern Frontier 2003 The Millay Colony 1999, Villa Montalvo Center for the Arts, 1998, 1996, 1987 Yaddo 1997, 1991 Djerassi Foundation, 1996 Tyrone Guthrie Centre, Annemagkerrig, Ireland 1994 Ragdale Foundation 1992, 1993, 1994 Banff, Leighton Artist Colony, Banff, Alberta, Canada, 1989
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